Inscriptions are carved into rocks, drawn on paper, embedded in the senses of spectators.
Inscriptions present themselves as invitations to make meaning.
Inscriptions are scribbled into a medium — when the script is made manifest, the medium changes.
In art, Inscriptions are what artists do to their unformed clay, blank canvas, unwritten scrolls. They appeal to our ability to make sense, they entice us to experience the aesthetic, they can transport us beyond ourselves to the domain of the sublime and transcendental. When Inscriptions are decoded, the scribe is no longer present: only the artwork as cipher remains.
Inscriptions appeal to our understanding of the craftsman as simply writing down words that are given to him. Bartleby the Scrivener famously would like not to make any further Inscriptions. His elegant negation comes at a heavy cost: in the end Bartleby is without work, domicile and — we should speculate — meaning. For what is the sense in which a scrivener can continue to be a scrivener when he no longer inscribes?
We are thrown into our acts of Inscriptions. When writing begins the script gains a life of its own, and when our Inscriptions are committed to a community, we experience a loss of meaning: it is as if our child has achieved a life of its own, making its own way in the world.
Inscriptions are wounds carved into our memory. They are part of our selves.
Inscriptions is an international, interdisciplinary double-blind peer-reviewed journal that publishes contemporary thinking on art, philosophy and psycho-analysis. Its media are material, psychic and imaginary, its authors are scholars and artists, and its form is open-source internet publishing. We welcome all kinds of approaches that seek to shed light on contemporary and abiding topics in the domains of art, philosophy, and psycho-analysis.
Inscriptions publishes academic-style papers and interviews, reviews, short interventions, opinion pieces, etc. We are looking for academic and scholarly papers that are well structured, have a convincing argument and form, follow academic convention, and are appropriately sourced. Generally academic essays should be 3,000 to 4,500 words. Shorter interventions will also be considered. Inscriptions adheres to the Chicago Manual of Style (footnotes and bibliography). Note that we will consider contributions to are not fully in conformity with these requirements, as long as we are convinced there is good reason to go beyond convention in each particular case. The author may be asked to provide further grounds for not adhering to academic convention during the review process.
Fictions & art
We seek contributions in all genres of literary fiction (short and long poems, aphorisms, short stories, fables, literary essays, etc.) that have the quality we associate with our mandate and that addresses the theme of the issue. Our section on fictions alternates with a section that features artworks, curated by a guest editor.
Inscriptions practices double blind reviews for academic papers. The review process is coordinated by the issue editor/editor-in-chief. In general there will be one round of reviews by two reviewers. However, reviewers may require a resubmission to be reviewed themselves, or by a member of the editorial board/editor-in-chief. Note that we encourage potential authors to submit proposals for review prior to their writing/submitting entire full-length manuscripts. Proposals will receive an indicative recommendation from the issue editor/editor-in-chief.
Shorter texts and texts in genres outside the academic essay (reviews, short interventions, opinion pieces, etc.) are generally subjected to editorial review by the issue editor or whoever she or he assigns the task.
Literary fictions are selected for review by the issue editor/editor-in-chief. Our fiction editor reviews and decides which contributions are published.
Our section featuring works of art is curated by a guest editor who is fully in charge of selection and editorial decisions. The liberty granted to our editors of the literary fictions and arts sections entails that they may approve contributions that have not been selected for review by the issue editor/editor-in-chief.
Inscriptions aim to keep the following timeframes:
- Indicative assessment of proposals: 2 weeks
- Peer review of full manuscripts: 4 weeks
- Editorial review of literary fiction: 4 weeks
Inscriptions follows established rules of conduct in matters of publication and authorship and aims to follow the COPE’s Code of Conduct. In the case of misconduct on the author’s part such as plagiarism, falsification of information, or double publication, the editorial board will call for explanation and then undertake appropriate steps or seeking advice on particular issues from the academic community. This may eventually include notification of authorities at the author's institution, the withdrawal of the article in question and the exclusion of any further submissions of the same author from being processed by the journal.
Authorship credit should be based on substantial contributions, drafting and/or revising the manuscript for important intellectual content, and final approval of the version to be published. Inscriptions is vigilant to avoid ghostwriters and guest authors. "Ghostwriting" refers to a case when a person who made substantial contributions to a publication is not credited as an author or, in the case of purely technical support insufficient for authorship, the person is not acknowledged in a publication. "Guest authorship" is the opposite situation, when a person appears in the publication as an author despite insignificant contribution or even absence from the writing.
A conflict of interest exists when an author (or the author’s institution), reviewer, or editor has financial or personal relationships that inappropriately influence his or her actions. Such relationships are also known as dual commitments, competing interests, or competing loyalties. These range from those with negligible potential to those with great potential to influence academic judgment. Competing interests may exist regardless of whether an individual is aware of it. Financial relationships, such as employment, consultancies, honoraria, paid expert opinions are the most easily identifiable conflicts of interest and ones most likely to undermine the credibility of the journal, the authors, and scholarship itself. However, conflicts may occur for other reasons, such as personal relationships, academic competition, and political and intellectual passion. In the case of conflicting interests exists, it is obligatory to declare it for each author (in the Comments for the Editor field, Step 1 of the submission process) and reviewer (review Step 1).
Inscriptions does not at this point charge authors for submission, review and publication.
Open Access policy
Access to content in this journal remains open on the principle that making research freely available to the public supports a greater global exchange of knowledge. Work published by Inscriptions is Open Access under a Creative Commons Attribution 4.0 International License unless otherwise indicated.
Inscriptions is published twice a year, in January (themed issue) and July (open issue).
Print copies of each issue are also stored in the National Library repository.
Inscriptions exists in printed, soft-bound form. Copies can be ordered from our distributor, Lulu.com.
Institutions and private persons can subscribe to the print edition of Inscriptions . To subscribe contact Tankebanen forlag via e-mail: firstname.lastname@example.org.
The online version of Inscriptions is considered to be the publication of record.
It is the editor-in-chief who acts as publisher and is legally responsible for all editorial content. In the last instance all publishing decisions lies with the editor-in-chief. Inscriptions is pulished by Tankebanen forlag.