Neverending answer

Authors

  • Marjorie Vecchio Self

DOI:

https://doi.org/10.59391/inscriptions.v4i1.94

Keywords:

art, technology, performance, history, future

Abstract

Three artists investigate the lived experience through science, play, ritual, and historical and futuristic reclamation.

Author Biography

Marjorie Vecchio, Self

Marjorie Vecchio is an independent curator and artist, as well as the former Director of Sheppard Fine Arts Gallery, University of Nevada, Reno and past President of Artemisia Gallery, Chicago. Since 1999, she has curated over 40 exhibitions, worked with over 250 artists, published 20 scholars, philosophers, writers and poets in 25 catalogues, and has written over 20 catalogue essays. She has taught MFA, BFA, BA and non-traditional students since 1998. Vecchio has degrees from Mount Holyoke College (BA), The School of the Art Institute of Chicago (BFA), Bard College (MFA), and European Graduate School (PhD, Magna Cum Laude), where she studied with Professor Wolfgang Schirmacher. In 2009, she won the inaugural $25,000 Scholar-in-Residence award from Columbus State University (Georgia) to work on her book, The Films of Claire Denis: Intimacy on the Border (London: IB Tauris, 2014). She is currently directing her first feature-length documentary film.

“Non-Human-Touch,” GIF by Surabhi Saraf © 2020

Downloads

Published

2021-01-28

Issue

Vol. 4 No. 1 (2021): Artificial life

Section

Arts

License

Copyright (c) 2021 Marjorie Vecchio

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors who submit manuscripts and publish with Inscriptions retain copyright to their original work and agree to the following terms:

  • Inscriptions is granted the right to first publish the work under the Creative Commons Attribution 4.0 International License unless otherwise agreed in writing prior to publication;
  • Inscriptions and its publisher Tankebanen forlag is granted the right to produce and reproduce the work in any form, printed or electronically, for free distribution and for sale;
  • Authors are permitted to post their work online and to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of their work as long as its initial publication in Inscriptions is acknowledged.