Private language

Posted on 20 Nov 2016.
George Berkeley, Bishop of Cloyne
George Berkeley, Bishop of Cloyne, etching. Courtesy of the Yale University Manuscripts


There’s two things that’s exactly right and one thing that’s possibly more questionable about the private language argument posed by Edmund Gordon in his article “Biography in the Twitter age” posted on The Times Literary Supplement on November 14, 2016. Let’s first recount briefly what Wittgenstein – UK’s philosopher of language and logic – said about private languages (see also the post here).

Essentially, Wittgenstein held that the notion that it is possible to generate a language that is truly private is absurd. For instance, in §241 of Philosophical Investigations he notes that,

So you are saying that human agreement decides what is true and what is false?—It is what human beings say that is true and false; and they agree in the language they use. That is not agreement in opinions but in form of life.

While contract theory would have it that we freely enter into agreements with each other with regard to what words mean, what is true, how the world is put together, and so on, Wittgenstein here clearly takes exception from such an approach. Rather, it is not so much perceptions of the world that are true or not, but how those perceptions are uttered. In other words, truth is a characteristic of language, and agreement is achieved in language. And yet, the parties are not private entities, since their agreements are achieved not on the level of voluntary contract, but as a constellation of forms of life.

Further, in §246, he asks

In what sense are my sensations private? —Well, only I can know whether I am really in pain; another person can only surmise it.—In one way this is wrong, and in another nonsense. If we are using the word “to know” as it is normally used (and how else are we to use it?), then other people very often know when I am in pain.

Here, Wittgenstein underlines the extent to which language is a requirement for perception. If what we are perceiving is someone else’s emotion, then we are guessing or inferring in so far as we do not have spoken affirmation to rely on. If W sees someone with a pained expression, he cannot be certain that this person is indeed in pain until it is verbally confirmed, in the view proposed in §246.

Can W know it himself, in a way that only he knows? What Wittgenstein shows in the so-called Private Language argument is that such a question implies something else than simply whether someone hides or does not communicate his thoughts. In order to speak of a language that is private it would be necessary to posit an entire vocabulary, sets of grammatical rules, etc., that would be known only to the person whose language it was the property.

What if W sought to make a language of his own by each time he had a particular emotion writing down the letter S? Wittgenstein counters this suggestion by noting how it would not be possible to affirm – even to oneself – that it was precisely the same emotion W encountered, so that the letter S could come to signify any number of different feelings.

Now, to examine more closely the argument proposed by Gordon regarding autobiography in the Twitter age, we should keep in mind Wittgenstein’s complex approach to the notion of private. Let’s first look at two senses in which Gordon is right:

1. The private has usurped the public

In his survey of the technological impact on the genre of autobiography, Gordon notes that

Among the main qualities and duties of contemporary biography is the way it measures the distance between a subject’s public and private selves – and if people don’t regularly take the measure of themselves in writing any more, that may no longer be possible.

What Gordon surely means here is that as we post more on Twitter and such like, we conceivably write less for ourselves, i.e., in private diaries, journals, etc., so that the entirety of our written production becomes immediately public. It’s an apt observation, and it is further supported by Gordon’s point that

If we’re always performing for an external audience, then the distance between our private and public selves will surely shrink.

We should remind ourselves of two kinds of historical arguments regarding the distinction between the public and the private spheres here, both of which render Gordon’s point as correct. Hannah Arendt noted that what we are experiencing today is the usurpation of the private domain of the public domain, so that the public arena is increasingly approached as if it was an extension of our household. In this view, the distinction between private and public is obsolete, and anything that happens “at home” immediately occurs in public. The recent proliferation of questions regarding private photos, sharing of information that doesn’t really belong to the public on the internet, and so on, belong to this category. Have we forgotten that what we post on the internet no longer belongs to the private sphere?

2. The public has usurped the private

A second sense in which Gordon is right is rendered by recounting the recent politically motivated research into what goes on in the household under the rubric “the private is public.” In this view, it is an oppressive order that maintains the distinction between private and public, and – as the argument goes – it is in the interest of the oppressed to abolish the distinction. There is nothing that goes on in the household that shouldn’t immediately be considered public acts. According to this kind of action research – politically motivated scholarship that seeks to change the order of the world – it is a good thing that, as Gordon notes, “the distance between our private and public selves” have shrunk. In this manner, it will be more challenging for the dominant and oppressive keepers of the household to keep their acts from public view.

The ideal invention here would be the contraption authored by Eric Blair in his momentous 1949 novel, where it is no longer the private citizens who watch television, but the television who observes the private citizens. Nothing – in this rendition of the world – remains private.

3. Is there a truly private language?

Now, let’s finally consider one sense Gordon’s view is a bit more challenging. In order to understand this sense, it is necessary to review the remarks on Wittgenstein above. Given that W asserts how we cannot arrive at a truly private language, it is necessary to make such a language in the presence of some instance that in some way is external to us. Let’s call this instance the Law-Issuing Instance. We can conceivably construct a language under the aegis of such an instance, debating with ourselves – our Law-Issuing Instance – whether or not we have truly encountered that same emotion as when we previously identified a feeling with the inscription of the letter S. However – and this is the crucial point – if this were the case, we would not be truly alone, i.e., in the private, when we made up the language.

In fact, would not the true horror scenario be a situation where we would be bereaved of our Law-Issuing Instance? It is such a horror that is suggested – and we believe wrongly – by Gordon’s notion of an evaporation of the boundary between private and public. It is in this sense it is possible to say that there never really was a private writing situation, since each entry in a diary or journal was always accompanied by an instance that – however made up by our selves – remains external to us. The crucial point is that this notion of writing in the presence of an Other does not entail the eradication of the private sphere. It simply means that we are never truly alone: there is always someone there that, as George Berkeley held it, watches over us.

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About Torgeir Fjeld
Writer, publisher, and educational administrator, holding PhDs in Philosophy (EGS, 2017) and Cultural Theory (Roehampton, 2012). Latest publications include Introducing Ereignis: Philosophy, Technology, Way of Life (2022) and Rock Philosophy (2019) and articles in Sport, Ethics and Philosophy, International Journal of Žižek Studies, and others. Presently serving as Head of Ereignis Center for Philosophy and the Arts, Publisher at Tankebanen forlag, and Editor-in-Chief of the peer-reviewed journal Inscriptions. Fjeld has taught at universities across North America, Europe, and Africa. Here is section dedicated to poetry in translation. This page has a cookie policy.
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