Riise to coach Lionesses

Posted on 19 Jan 2021.
Hege Riise Image by snl.no, 2017.


Hege Riise has been appointed new head coach of England Women, the Lionesses. When we met for an interview 20 years ago Riise, herself an accomplished international, emphasised how sport has the power to bridge the gender gap: “the joy and involvement the players demonstrate when we score [in international competitions] carries around the whole country.” Football truly unites people across boundaries.

CfP Event and Becoming: the Inaugural Ereignis Conference

Posted on 14 Jan 2021.
Hosted by the Ereignis Center


June 11, 2021. How does the event puncture the smooth flow of becoming? And what is it like, the event in which we become ourselves? These are among our key questions in this first Ereignis conference. Headlined by internationally acclaimed speakers on appropriation and becoming, this conference seeks to merge profound and innovative thought with practical approaches to becoming. How do we arrive into our own?

We seek structured, well-argued papers that show evidence of rigorous scholarship. For the section Practice/s we seek interventions that challenge the traditional academic conference format, establish new ground, and open up for new ways of thinking and being together. All proposals should include an abstracts (max. 300 words) and a short author bio (max. 50 words), including the author’s current affiliation and interest. Submission deadline: 15 April, 2021.

More info ereignis.no/School.

Radical OA as a front

Posted on 25 Oct 2020.
Academic journals
Academic journals Image by Patrycja Fjeld.


Academic publishing has undergone great changes the last few years. One major driver in this change is the relatively recent adoption by the European Union of the Plan S initiative, a codex implemented to ensure open access to the products of academic work. Established private publishers have responded by accepting some degree of open access, instead demanding sizeable publication fees from authors, which in most cases means the authors’ institutions of employment. The effect has been that while university libraries in the past had large outlays to receive copies of scholarship produced by researchers employed by their own institutions, they now receive it without cost. Instead the institutions have to pay to get the scholarship published in the first place.

Let’s distinguish from the outset from a loose alliance of bodies that with a wide variety of motives seek to further public access to scholarship, and a far more narrow and more militant radical open access grouping. The first of these alliances emerged from a fair response to what is now largely recognised as a social injustice: how can it be that while the public have financed scholarship from their purse (through taxes that underpin academic institutions in most countries) they have been barred from access to the very fruits of that funding, the academic output in the form of journal publications? The Plan S initiative was one particularly successful response to this situation: through it private, corporate publishers have been compelled to recuperate their costs through other means than subscription, the most ubiquitous of which is author fees.

The Radical OA group, on the other hand, points out, rightfully, that the fees dictated by corporate publishers, whether from readers for subscriptions or from authors for publication, generate funds that go far beyond the component costs of processing and publishing academic articles. Some critics have noted that today the most prestigious journals are owned and controlled by an increasingly narrow band of corporations; only five global publishers now have the most important journals at their disposal, and their resulting bottom-lines are staggering and growing. It appears that these corporate companies have adapted very well to Plan S and the attendant calls for public access to socially generated scholarship. In other words, what we have is a small group of increasingly powerful publishers that generate unheard-of revenue in order to bolster their position in a competitive publishing market, a market that can be characterised as nothing but as a field of fierce competition between rivalling corporation founded on the principles of capital investment and returns, i.e. the system of production Karl Marx referred to as Capitalism.

What is clear from the outset is that the general open access movement, instituted through initiatives such as Plan S, and the more militant Radical Open Access group have very different aims. While the EU have undersigned the aim to open up the results of scholarship that has been funded by the public to those who have footed the bill, i.e. the taxpayers, there is nothing in Plan S that seeks to undermine the motivation to generate profit on capital investment, an obvious driver to corporate publishers when they have repositioned in response to Plan S. This latter purpose is, however, a strong motivator for the Radical OA group. In other words, what this group seeks is not merely to give the public access to scholarship that they themselves have funded, but to undercut the possibility for corporate publishers to generate profit on their academic journals.

While working against profit in publishing is perfectly legitimate, it isn’t entirely clear that generating profit from research is essentially any different from generating profit from other social activities, such as running a restaurant, a newspaper, a grocery store, or a social media network. Rather, it seems as if the main driver for Radical OA is not primarily open access, but that it should be radical, and this radicality is defined by its opposition to generate profits on capital investments, or, to put it differently, what the Radical OA grouping is opposed to is the capitalist mode of production and its inherent profit motive.

For this to be a fine and honourable purpose we should ask that Radical OA’s articulate clearly their political aspiration. Is their first concern to gain open access to publicly funded scholarship? Or are we witnessing the structure of a front organisation: while apparently working to further open access, is Radical OA exploiting a generally favourable public sentiment towards open access to promote their larger anti-capitalist project?

We will await good answers.

Ereignis: the thought

Posted on 11 Sep 2020.
Ereignis Center for Philosophy and the Arts
Ereignis Center for Philosophy and the Arts

A general introduction to the philosophy of Ereignis.


We are expanding the Library of our Ereignis website. Recently we added some more detail to our approach to what the term Ereignis might mean. Does it ring true or interesting to you? We’d be very interested in hearing your views!

Ereignis is a way to understand technology and our everyday world, an approach to life, and a distinct philosophy. We begin by unpacking the multiple meanings of the word; we then go on to identify a vision, an obstacle, and a new reality. In the end we ask to what service Ereignis can be put to enable us to become who we are.

1. The meaning of Ereignis

Ereignis is a complex and intriguing word, even in the German. As a noun (an Ereignis) it basically means an unusual or special event, or, simply, something that has happened. However, when we investigate further we realise that there are vast arrays of potential meanings to this term. Synonyms suggested by the dictionary include occasion, interlude, opportunity, experience, happening, thing, and an event. At the etymological root of Ereignis we find that this is an event that is derived from the verb ereignen, designating something that plays itself out, as if by destiny.

One influential interpreter sought to distinguish the prefix er- from the stem eignen. It is when we consider eignen as a cognate of Augen that we get a sense in which ereignen is intimately connected to our vision, to what we see or have in our view. In German, the derived zueignen and aneignen means to acquire and appropriate respectively, and the verb eigen simply means to own. If an event only truly occurs when it is seen or observed, then what has happened can only be determined with by referring to what observers have called it to themselves, their interpretation, or appropriation, of the event.

To er-eignen, then, seems to mean to make something one’s own, in by appropriating it, acquiring it’s key meaning, or giving voice to its sense. This is important, because at the core of the eigen lies eigentlich, designating an event’s underlying cause, or its reality. In other words, what something really is, or what actually happens, can only come out through appropriation, of by distinguishing what it was that we experienced. This event, then, does not only refer to the happening itself, but crucially also to the act of making the event one’s own.

2. Philosophies of Ereignis: Heidegger, Schirmacher, Badiou

Ereignis is an experience and an approach to life. Our technological understanding of the world can bar us from this experience. Opening up for the multiplicity of reality we can rediscover the world as a sacred place.

2.1 Heidegger: nearness

There is no doubt that it was the game-changing philosophy of Martin Heidegger (1889-1976) that brought the term Ereignis onto the stage of modern thought. In an essay on the German poet Friedrich Hölderlin Heidegger described how it feels to descend from the mountainous Alps, the returning and homecoming, and in this essay he associates this descent with a mystical experience of Ereignis.

Heidegger gave the term Ereignis the task of connecting Being, or the divine, with our lives. To Heidegger Being reveals itself as a light which enables it to become visible to itself. Being, or the divinity, gives, sends, or destines beings, such as ourselves, in an ongoing unfolding of self-awareness. Heidegger thought of this double movement as Being alternately disclosing or refusing itself, or, in a word, as a “clearing-concealing.” Ereignis is a term to describe this sense in which Being is self-giving or self-refusing, or what Heidegger mystically referred to as the “Ereignis of presencing.”

To be present, then, or to experience a presencing, is in Heidegger’s terminology to be in the nearness of Being. When Heidegger held that this nearness nevertheless can never be fully present he began from the assertion that the German phrase Es gibt, there is, not merely points to an empty placeholder “Es,” it/there, but that it serves to highlight the giving of the Es, rendering the phrase as literally “It gives.” In so far as the “It” here refers to Being, the giving that is provided by it is its own presence. However, even Heidegger acknowledges that this “It” is inaccessible to ordinary thinking; therefore we should turn to the poets, and particularly the recollective verse of Hölderlin, to be brought into “It’s” nearness.

2.2 Schirmacher: metaphysical technique

Now, what is the reason that we find ourselves removed from Being, at a distance from our own existence, in our daily lives? Heidegger was quite clear on this, referring to the reduction of the world from a place of transport and enchantment to an experience where we are oblivious to the things themselves as Gestell. Rather than a world revealing itself as a holy place, and the things within it as radiant, sacred beings, Gestell reduces things to mere resources that can only serve as means to ends. Wolfgang Schirmacher, a philosopher of technology, continues Heidegger’s thought to name this blockage “metaphysical technique,” a complex expression of attempts to dominate life by technical mastery, a technological fix which we often think of as either technological optimist, or utopianism.

Governed by an “instrumental prejudice,” Schirmacher writes, the metaphysical technique is an “ingenious expression of a technology of survival” where all objects, everything we encounter, are regarded with suspicion, as “potentially hostile.” This is why the dominant metaphysical technique seeks to bring the entirety of our external world “under control under all circumstances and by all means.” It is this naïve belief in technological supremacy which leads to the present explanation of all our shortcomings as a “lack of technology:” when our world is gradually brought to an end and destroyed with the aid of modern technology the often misunderstood response is to claim that it is not modern technology, or, rather metaphysical technique, that has brought this upon us, but the wrong use of instruments or an insufficient determination of their purpose; in this view our current fix is due to an incorrect application of technology. When metaphysical technique encounters failure its answer is to stubbornly pursue the same path with even more determination, and to explore and exploit further its beaten path of domination by technical knowledge.

Against this Schirmacher holds that the destructive effects of metaphysical technique cannot be defeated on its own ground, i.e. by further pursuing an accumulation of data, or positive knowledge. Technology, or, more precisely metaphysical technology, serves to conceal the world to us, and more knowledge of this kind will not reveal the world anew. In the words of Schirmacher:

If the concealment of technology is not revealed by knowledge, but paradoxically rather strengthened, only ignorance can help. Ignorance does not only mean the absence of knowledge, but indicates the Socratic admission of ignorance, which is to say a knowledge that deprives knowledge of its self-evident right.

What Schirmacher prescribes is the ancient philosophical cure: truth telling, but not as a simple mechanism to verify positive knowledge, but, rather, the Socratic model as an approach to life. Truth of this kind cannot ultimately be found by testing hypotheses, but emerges from a technique in which “facts are shown as they are conceived by us.” Against metaphysical technique with its “emptiness artfully filled with an abstract language of evidence and justifications,” truth technique makes the world in its entirety appear in a glimpse, and yet as if eternally.

To overcome metaphysical technique it is required of us to pose an entirely different subject, or I, so that we again can enter into an essential and poetic relation to the world. Overcoming metaphysical technique does not mean that we leave modern technology behind, but that we abandon its use as “denizens of the night-time,” and instead treat machines and practice the sciences behind them as “dwellers of the radiant world of the Ereignis.”

Somewhere along this path we join in with others who have abandoned the cage of metaphysical technique, fellow travellers who seek to give up on exploitation and abuse so as to become guardians, custodians, and nurturers of beings, and, by implication of the Event itself. Our question is how we are going to conceive of Ereignis in this sense.

2.3 Badiou: the new reality

One way to approach this seminal Event is suggested by the philosophy of Alain Badiou. Here, the event is a way to understand how reality intrudes into our everyday experience. To Badiou reality is a void grounded in an inconsistent multiplicity, a structure which cannot ultimately be upheld in any social or personal totality. Therefore, countless elements of this reality are excluded from the totality we perceive as our everyday existence, and it is when any of these elements imposes itself upon us, engendering a complete shift in our structure of perception, that we truly can talk about an Event in Badiou’s sense.

To Badiou the event opens up our everyday appearance of normality, enabling a sudden opportunity to rethink our lives as a whole. Since the event can be compared to a ripping open in the fabric of established reality it offers exhilarating possibilities for participants that can nevertheless be experienced as demanding for those who are tasked with assimilating the event. In Badiou’s view a real event generates not only new ways of thinking about the world, but also new truths. What previously didn’t count, Badiou writes, comes to interrupt the continuity of determinism, thereby generating something completely new.

An utter reformulation of prevalent prejudices and assumptions cannot be programmed in advance. Rather, Badiou holds that a true event can only be grasped retrospectively, and that it cannot have a presence. The event, in effect, suspends the chronology of time, becoming ubiquitous: at the moment of the event it is everywhere and nowhere. In other words, we cannot really realise an event until after it has passed, when we try our best to assimilate it into an opportunity we couldn’t have lived without.

3. Becoming who we are

Ereignis is about approaching the clearing, letting things stand out as they are, and the festive experience, i.e. the sense in which we let the world reveal itself as a sacred place. When we overcome metaphysical technology, an approach to life that only allows the world and others to appear as instruments or means to an end, we can again be brought into the nearness of a Being that gives and reveals itself. By returning to telling the truth we can experience the void of an inconsistent multiplicity that constitutes reality, and out of this void we can begin to rethink our lives and generate an entirely new reality.

It is when we regain this new ground we can begin to realise and become who we truly are. Thus is the experience of Ereignis.

New book: The Time Machine edited by Poul Houe

Posted on 4 Aug 2020.
The Time Machine, by H.G. Wells, edited and introduced by Poul Houe.
The Time Machine, by H.G. Wells, edited and introduced by Poul Houe


The Time Traveller was one of those men who are too clever to be believed: you always suspected some subtle reserve, some ingenuity in ambush, behind his lucid frankness. H.G. Wells, The Time Machine

We’re happy to announce the publication of H.G. Wells’ The Time Machine, a new volume in our series Know Your Classics. Our edition is edited and introduced by Poul Houe, Professor Emeritus of Scandinavian Studies at the University of Minnesota. The Time Machine redefined the science fiction genre to include concepts like spacetime, as well as recent innovations in biology and sociology. H.G. Wells’ text, first published in serial format, became an instant hit, and has since become the centrepiece of not only numerous films and radio plays, but of our very conceptualisation of the future. As Poul Houe notes in his newly written introduction, “by way of the Time Machine we can travel out of ‘Now’ into both the distant past and future.” Sometimes referred to as having prophetic abilities H.G. Wells’ described a future that is credible and characterised by inventions that combine utopian and dystopian sentiments. Coupling Wells’ text with Houe’s introduction, and a newly written biography of H.G. Wells, this volume makes the classical text available to new generations of readers.

Know Your Classics

Know your Classics is a collection of carefully selected texts offered in a new, informative and entertaining frame. With an informative introduction and a new biography each of our books in this series are given a modern, inviting typography that places them in our contemporary era. These are unmissable remixes of classics everyone should read.

H.G. Wells’ The Time Machine, edited and introduced by Poul Houe, joins

  • Virginia Woolf’s Jacob’s Room, edited and introduced by Monika Žagar;
  • Charles Dickens’ Oliver Twist, edited and introduced by Jørgen Veisland;
  • Emily Brontë’s Wuthering Heights, edited and introduced by Jørgen Veisland.

Support independent publishing by ordering these titles through one of our distributors. Our full catalogue with links to booksellers is available here.

Know your Classics are e-books and paperbacks from utopos publishing.

Inscriptions 3, n2: Power in a time of pandemic is out

Posted on 3 Jul 2020.
Inscriptions 3, n2.
Inscriptions 3, n2

Inscriptions 3, n2, Power in a time of pandemic, is out. Among our key questions in this open issue is the relation between the subject and power: what is the substance and appearance of the sovereign, what is the domain and limits of state power, and what are the effects of governance in the time of a health scare. Two short texts by Giorgio Agamben. Contributions by Mehdi Parsa, Regina Surber and Christopher Norris.


Among our key questions in this open issue is the relation between the subject and power: what is the substance and appearance of the sovereign, what is the domain and limits of state power, and what are the effects of governance in the time of a health scare. Two short texts by Giorgio Agamben show how a religion of science became a tool to administer an exceptional governmentality under the pandemic. This issue features contributions by Leopold Haas, Christopher Norris, Mehdi Parsa, Lukas Reimann, Philippe Stamenkovic, and Regina Surber.

Inscriptions is published online and in print, and is indexed by, among others, the Directory of Open Access Journals (DOAJ). Our issues are archived electronically and in print by Norway’s National Library. ISSN: 2535-7948 (print) and 2535-5430 (online).

Recent Issues

  • Inscriptions 3, n2: Power in a time of pandemic, July 2020
  • Inscriptions 3, n1: Outsourced!, January 2020
  • Inscriptions 2, n2: Kierkegaard, July 2019
  • Inscriptions 2, n1: The Global Unconscious, January 2019
  • Inscriptions 1, n1-2: Consecrations, July 2018

CfP Inscriptions 4, n1: Artificial Life: ethics and the good life

Posted on 17 Jun 2020.

Inscriptions, a journal for contemporary thinking on art, philosophy and psycho-analysis, seeks essays for our volume 4, n1, on artificial life and ethical living in general. Deadlines 15 Sept (300 word proposal) / 15 Oct (5000 word manuscript). Submit at https://inscriptions.tankebanen.no/.


Deadline for proposals: 15 September 2020. Full manuscripts due 15 October 2020.

Ethics, the question of how to live right and well, has been one of philosophy’s key concerns from its beginnings. In the thought of Wolfgang Schirmacher the ethical life is connected to artifice: subjected to the event of technology we recognise our ethical being in mediated form, and it is through reflecting on this our present condition that we can begin regain our composition as ethical subjects.

For our volume 4, n1, Inscriptions, a journal for contemporary thinking on art, philosophy and psycho-analysis, seeks essays that reflect on, interrogate, and bring new perspectives to the notion of artificial life and ethical living in general. Key questions include:

  • How must I compose myself in order to live a good, satisfying life?
  • What is the good life, and what values are relevant to us in our present time?
  • How has the figure of the subject been challenged by our technological order, and how may we begin to ethically reassess our present condition?

Please submit a brief proposal (of up to 300 words) or full-length manuscript (of up to 5000 words) through our online platform. Proposals receive a preliminary assessment. All scholarship published by Inscriptions undergo double-blind peer review. We also accept book reviews, commentaries, and short interventions of up to 1500 words.

Open Access, no APCs

Access to content in this journal remains open on the principle that making research freely available to the public supports a greater global exchange of knowledge. For this upcoming issue we will not charge authors for submission or publication.

Inscriptions is published online and in print, and is indexed by, among others, the Directory of Open Access Journals (DOAJ). Our authors include Wolfgang Schirmacher, Siobhan Doyle, Christopher Norris, and Jørgen Veisland.

Our issues are archived electronically and in print by Norway’s National Library.

Recent Issues

  • Inscriptions 3, n2: Open Issue, July 2020
  • Inscriptions 3, n1: Outsourced!, January 2020
  • Inscriptions 2, n2: Kierkegaard, July 2019
  • Inscriptions 2, n1: The Global Unconscious, January 2019
  • Inscriptions 1, n1-2: Consecrations, July 2018

Philosophers at a distance

Posted on 31 Mar 2020.
The Daily Nous
Plato Image by Jon Hicks / Getty Images.

How would Plato respond to our call to social distancing? “Okay everybody, change of plans: stay inside your caves!” Philosophical wit by Justin Weinberg.


Justin Weinberg, the editor over at The Dail Nous (pronounced /nu:s/) has committed a witticism, and it is worth quoting at some length. How do philosophers respond to being told they have to “social distance” and avoid leaving their homes?

Zeno of Elea: “Don’t worry, I can never reach anyone anyway.”

Plato: “Okay everybody, change of plans: stay inside your caves!”

Hume: “Look, just because social distancing worked before doesn’t mean it’s going to work now. And I’m in the middle of a backgammon game!”

Descartes: “I doubt anyone else is around.”

Kant: “It may be bad if we don’t social distance but that’s irrelevant, for if we imagine as a universal law of nature everyone staying six feet apart in order to survive, then we immediately see a contradiction, as humankind would have long gone extinct, and so would be unable to follow such a law.”

Berkeley: “Can we all just not give this virus another thought?!”

From “Philosophers Respond to Social Distancing” by Justin Weinberg.

Žižek on the pandemic

Posted on 16 Mar 2020.
Slavoj Žižek
Slavoj Žižek

In his new intervention Slavoj Žižek advocates international solidarity in the face of the ongoing epidemic, on the grounds that such solidarity is “the only rationally egotistic thing to do.”


In his new intervention Slavoj Žižek (“Monitor and Punish? Yes, Please!”) advocates international solidarity in the face of the ongoing epidemic, on the grounds that such solidarity is “the only rationally egotistic thing to do.” He refers to such international coordinated action as communism, and, to be clear from the outset, this would be a very different iteration than the one experienced by Žižek and millions of other Eastern and Central Europeans in their youth:

We, ordinary people, who will have to live with viruses, are bombarded by the endlessly repeated formula “No panic!”… and then we get all the data that cannot but trigger a panic. The situation resembles the one I remember from my youth in a Communist country: when government officials assured the public that there was no reason to panic, we all took these assurances as clear signs that they were themselves in a panic.
But panic is not a proper way to confront a real threat. When we react in a panic, we do not take the threat too seriously; we, on the contrary, trivialize it. Just think of how ridiculous the excessive buying of toilet paper rolls is: as if having enough toilet paper would matter in the midst of a deadly epidemic…

Interestingly, Žižek then goes on to compare the being of a virus to that of the spirit, our soul:

To quote a popular definition …: “viruses are considered as being non-living chemical units or sometimes as living organisms.” This oscillation between life and death is crucial: viruses are neither alive nor dead in the usual sense of these terms. They are the living dead: a virus is alive due to its drive to replicate, but it is a kind of zero-level life, a biological caricature not so much of death-drive as of life at its most stupid level of repetition and multiplication.
Is human spirit also not some kind of virus that parasitizes of the human animal, exploits it for its own self-reproduction, and sometimes threatening to destroy it?

The virus, then, like the spirit is an indivisible remainder of our own being, a remnant we cannot, finally, expel, but with which we, nevertheless, have a parasitic relation:

When nature is attacking us with viruses, it is in a way sending our own message back to us. The message is: what you did to me, I am now doing to you.

In this sense it is as if the pandemic urges us to reconsider the universality of the golden rule. It is, we could argue, in our rational self-interest to do onto our neighbour what we would do onto ourselves when the way we act upon others returns to us, if nothing else, as a virus.

The entire text is available from The Philosophical Salon.

Book out on utopos: Veisland edits Wuthering Heights

Posted on 28 Feb 2020.
Wuthering Heights, by Emily Brontë, edited and introduced by Jørgen Veisland
Wuthering Heights, by Emily Brontë, edited and introduced by Jørgen Veisland

Utopos publishing, the English-language imprint of Tankebanen forlag, is out with a new volume in our series Know Your Classics: Emily Brontë’s Wuthering Heights edited and introduced by Professor Jørgen Veisland. Browse our catalogue at https://utopos.tankebanen.no/.


utopos publishing, the English-language imprint of Tankebanen forlag, is out with a new volume in our series Know Your Classics. In this book Professor Jørgen Veisland edits and introduces Emily Brontë’s Wuthering Heights, noting how Brontë gives us a glimpse into a Victorian society replete with inhibitions and repressions that resist the unlocking of hidden meanings constituting the psychological, moral and epistemological plot of the text, the partly hidden but real plot within. Veisland provides some valuable keys to these hidden rooms. In this edition of Wuthering Heights the novel is supplemented with Veisland’s informative introduction, a new biography of Emily Brontë, and a modern, inviting typography that places the text in our contemporary era. Available softbound and as e-book.

About Torgeir Fjeld
I am a writer, publisher, and educational administrator with PhDs in Cultural Theory (Roehampton, 2012) and Philosophy (EGS, 2017). My latest books are Introducing Ereignis: philosophy, technology, way of life and Rock Philosophy. I have published many articles in journals such as Sport, Ethics and Philosophy, International Journal of Žižek Studies, Teaching Philosophy, Journal of Silence Studies in Education, and Oxford Left Review. I am currently Head of the Ereignis Center for Philosophy and the Arts, Publisher at Tankebanen forlag, and Editor-in-Chief of the peer-reviewed journal Inscriptions. I have taught at many universities in North America, Europe, and Africa, including the University of Minnesota, Roehampton University, the University of Gdańsk, and the University of kwaZulu/Natal. On this page you will find a section entirely dedicated to poetry in translation. This page has a cookie policy.
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