Perversion of justice, sexual perversion, perversion of tradition… The pervert has become the figure that most essentially captures what it means to live in our age. Perversion’s Beyond advocates a stricter definition of the pervert than Freud’s well-known formulation: it suggests that we should adopt the pervert as a homeostatic device. Innovation today entails perversion. Perversion’s Beyond is out on Atropos Press. Get it here from Amazon.com.
Said about Rock Philosophy (Vernon Press, 2018):
I find myself intrigued on multiple levels. When I read the words Rock Philosophy, the first thing that came to mind was the Stones, rock ‘n roll, and Queen. […] I was startled by Rock Philosophy and its reference to another, more actually stony form of rock. Sentient stones may seem an impossibility from a Western perspective that categorically separate Creator and Creation, Mind and Matter. However, consciousness appears and disappears as part of the ongoing, sometimes turbulent, sometimes placid, flows of which the world is made.John McCreery, Visiting Professor, National Tsing Hua University, Taiwan
Rock Philosophy: https://vernonpress.com/book/770
Said about dressage and illusio (SPS, 2016):
… enters directly into current philosophical and social scientific questions regarding sport – nation – body, and anchors the debate in strong, theoretical currents … rich in perspective and original analysis.Sigmund Loland, Professor, Norwegian University College of Elite Sports
dressage and illusio: https://dressageandillusio.wordpress.com/
Inscriptions, a #journal of contemporary thinking on #philosophy, #psychoanalysis and #art, invites contributions to our upcoming issue Outsourced! #mediatisation and #rivalry. We are looking for well-crafted and skillfully written scholarly #essays and #interviews, #reviews, short interventions, and opinion pieces that engage our mandate and the theme of this issue. Full announcement at https://inscriptions.tankebanen.no/ #interpassivity
dressage and illusio, my study of how perceptions of our body is shaped through sports in school and in the mass media, is still available (for example from Amazon). Professor Sigmund Loland, a major voice in international sports philosophy, commented that this book “enters directly into current philosophical and social scientific questions regarding sport – nation – body, and anchors the debate in strong, theoretical currents. [It is] rich in perspective and original analysis.” Read more.
Jon Fosse (1959-) is translated from his native Norwegian (he writes in nynorsk), to more than 40 languages. He is widely acclaimed as a pivotal voice in contemporary fiction. Since his debut with the novel Raudt, svart [Red, Black] in 1983, Fosse has published many novels, poetry, essays, children’s stories, and plays. It is perhaps as dramatist he is most widely known internationally.
His plays include Og aldri skal vi skiljast [And we’ll never part] (1993), Nokon kjem til å komme [Someone will arrive] (1996), and more than 30 other texts. Fosse became internationally recognised as dramatist with French director Claude Régy’s staging of Someone Will Arrive in Nanterre in 1999. The following year the Berlin theatre Schaubühne with their director Thomas Ostermeier performed Namnet [The Name] at the Salzburg Theatre Festival, ensuring Fosse’s reputation as one our age’s most important playwrights.
Fosse holds a Master of Arts (cand.philol.) in Comparative Literature from the University of Bergen, Norway, an institution which has since awarded him an Honourary Doctorate. He has won a long series of awards, such as the International Ibsen Award (2010), Pope Benedict XVI’s honourary medal (2009), and the Swedish Academy’s Nordic Award (2007). He is a Commandor in the Royal Norwegian Order of St. Olav, and was made a Knight in France’s National Order of Merit in 2007. In 2015 he won the prestigious Nordic Council’s Literary Award for the trilogy Andvake [Insomnia], Olavs draumar [Olav’s Dreams], and Kveldsvævd [Evening Web].
In 2011, as Norway’s Poet Laureate, Jon Fosse moved in to the official Honourary Residence for artists, after it’s previous occupier, the cherished and innovative composer Arne Nordheim had passed away. This dwelling is situated on the grounds of the Royal Palace in Oslo, and was first owned by the poet Henrik Wergeland in the early 19th Century. In recognition of this honour Fosse crafted a series of poems that take Wergeland’s lyrical treasure as their starting point; “Two angels” and “It is cramped under the arch of heaven” are from this collection (2016).
Fosse is married, and has five children. Today he lives in Oslo, Bergen, and Hainburg, Austria.
- Translation of parts of *Morgon og kveld* [Morning and Evening]: https://www.freelists.org/post/lit-ideas/Morning-and-evening-by-Jon-Fosse
- Pure Prose — On Translating Jon Fosse from Norwegian by Damion Searls in The Paris Review: https://www.theparisreview.org/blog/2015/06/09/pure-prose/
- A short bio in English: https://upclosed.com/people/jon-fosse/
Translations from Jon Fosse, Poesiar [Lyrics] (2016):
two angels met us in the door
and blind satisfaction
but now they fly back to
to collect dreams
for our sleep
it is cramped under the arch of heaven
so I must stoop under the clouds —
I had to escape
but no further
than to beneath a woman’s hair
since there it was, the wind
that blended it all together
Here is a video taped talk on Nobel Laureate Knut Hamsun’s On Overgrown Path and his relation to psychoanalysis. After the war Hamsun was accused of treason and subjected to involuntary psychiatric examination. The humiliation he experienced has led some scholars to argue that Hamsun was mistreated at the hands of his fellow Norwegians. This talk puts forward the perspective that not only was it reasonable to investigate Hamsun’s sanity; his ongoing relation to the burgeoning science of psychoanalysis enabled him to write several works of art that have since become regarded as literary classics. This is a taped version of a talk given at the Centre for Scandinavian Studies’ Conference in Lund, Sweden, on 17 May, 2019. The video is approx. 25 minutes.
rock philosophy: meditations on art and desire is now in paperback with 30% discount. Order before June 8, 2019, with coupon code VEPNFTCEA30 from https://vernonpress.com/book/770
See also this link:.https://www.tankebanen.no/wordpress/2018/08/07/233/
Another graduate from the Lit Hum programme at Oxford, J.L. Mackie turned celebrity philosopher on his claim that there can be no objective foundation to moral values:
Meticulous, courteous, industrious, with a degree of devotion to duty striking in one who held that moral values lack any objective foundation, [J.L. Mackie] was universally admired as an outstandingly capable and committed philosopher’s philosopher. An undoubtedly apocryphal anecdote captures his character: while Alasdair Maclntyre, P. F. Strawson, and Mackie were Fellows together at University College, the authorities circulated a memorandum asking all dons to keep a record for a week of the proportions of their working hours spent on research, teaching, and administration. Maclntyre sent back a blistering missive instructing them not to waste his time. Strawson looked at the form, wrote ‘One third, one third, one third’, and went back to what he was doing. J. L. Mackie went out and bought a stop watch.
From Graham Oppy and N. N. Trakakis (eds), A Companion to Philosophy in Australia & New Zealand.
Inscriptions is out with Vol 2 No 1 (2019) on “The global unconscious: art, technology, science.” Featuring articles in the traditions of Sigmund Freud and Carl Gustav Jung, this issue interrogates approaches to the term unconscious in contexts such as petroleum-driven culture, the 9/11 memorial in New York, the relation between art and society on the work of Bjarne Melgaard, and our current era of a global internet and social media culture. We also feature art by Stefan Chazbijewicz, a filmmaker, poet and visual artist based in Poland, who seeks to establish a mystic space of what he refers to as “salvaged reality” in his work.