Inscriptions, a #journal of contemporary thinking on #philosophy, #psychoanalysis and #art, invites contributions to our upcoming issue Outsourced! #mediatisation and #rivalry. We are looking for well-crafted and skillfully written scholarly #essays and #interviews, #reviews, short interventions, and opinion pieces that engage our mandate and the theme of this issue. Full announcement at https://inscriptions.tankebanen.no/ #interpassivity
Here is a video taped talk on Nobel Laureate Knut Hamsun’s On Overgrown Path and his relation to psychoanalysis. After the war Hamsun was accused of treason and subjected to involuntary psychiatric examination. The humiliation he experienced has led some scholars to argue that Hamsun was mistreated at the hands of his fellow Norwegians. This talk puts forward the perspective that not only was it reasonable to investigate Hamsun’s sanity; his ongoing relation to the burgeoning science of psychoanalysis enabled him to write several works of art that have since become regarded as literary classics. This is a taped version of a talk given at the Centre for Scandinavian Studies’ Conference in Lund, Sweden, on 17 May, 2019. The video is approx. 25 minutes.
rock philosophy: meditations on art and desire is now in paperback with 30% discount. Order before June 8, 2019, with coupon code VEPNFTCEA30 from https://vernonpress.com/book/770
See also this link:.https://www.tankebanen.no/wordpress/2018/08/07/233/
Inscriptions is out with Vol 2 No 1 (2019) on “The global unconscious: art, technology, science.” Featuring articles in the traditions of Sigmund Freud and Carl Gustav Jung, this issue interrogates approaches to the term unconscious in contexts such as petroleum-driven culture, the 9/11 memorial in New York, the relation between art and society on the work of Bjarne Melgaard, and our current era of a global internet and social media culture. We also feature art by Stefan Chazbijewicz, a filmmaker, poet and visual artist based in Poland, who seeks to establish a mystic space of what he refers to as “salvaged reality” in his work.
Inscriptions, a journal of contemporary thinking on art, philosophy, and psycho-analysis, invites contributions to our upcoming issue on the global unconscious. We are looking for well-crafted and skilfully written scholarly essays and art projects (images, videos, presentations) that engage our mandate and the theme of this issue.
Sigmund Freud’s unconscious is still a debated concept. From flat-out rejections to head-on acceptance and use in scholarly and therapeutic practice the unconscious has become the very lynchpin of the validity of psycho-analysis. It has been subject to debate from its inception with Freud’s lecture to the Psychiatric and Neurologic Association in Vienna in 1896 when Freud’s elder collegues referred to his findings as constituting a “scientific fairy tale.” In his lecture Freud put forward his infamous “seduction theory,” according to which female patients suffered from actual or psychic recollections of their fathers seducing them. It was the repression of these alleged experiences that laid the foundation of the unconscious, and when the scientific community rejected the theory of seduction how would it be possible for Freud to defend his idea of the unconscious?
And yet, that is precisely what he did. Already the next year Freud admitted that he no longer trusted the veracity of his patients’ claims and their ability to distinguish reality from fantasy. However, the answer to his conondrum was not far away. At a meeting with Ernest Jones at the Bellevue Restaurant in Vienna in 1895, one year prior to the Vienna conference, Freud had declared that he had found out how to unlock the secrets of dreams. The solution to Freud’s situation was to acknowledge that his patients’ experiences of seduction were expressions of the unconscious. While accepting their stories as sincere, this enabled Freud to continue his analysis, albeit on a different level. It was no longer a matter of protecting these young women from physically abusive fathers, but of trying to decipher their dream-works.
The unconscious has played a key part in the unfolding drama of psycho-analysis. The split between Freud and his pupil Carl Gustav Jung was to some extent grounded in a difference with regard to how they approached the unconscious. While Freud claimed for psycho-analysis the ability to uncover feelings, memories and desires that exist beyond our conscious awareness, Jung wanted to expand the notion to include archetypical, or inherited, elements. With the migration of psycho-analysis first to America and then to claim for itself a global reach the ruptures in the unconscious were no longer containable at a personal and local level: we are now under the spell of a global unconscious. The most powerful refutation of the unconscious arrived with the scientific demand for verification: since theories of the unconscious are as of yet not empirically falsifiable they cannot be considered properties of science, and therefore not admissible to scientific enquiry, it is claimed. What is at stake, finally, is the scientific status of psycho-analysis itself.
For the upcoming issue of Inscriptions we seek papers that contextualise the unconscious in the domains of art, technology and science. Key questions that are relevant include:
- How are artworks and their meaning shaped by our unconscious?
- How are unconscious elements given expression in art and technology?
- In what ways does it make sense to speak of a global unconscious in art, technology and science?
- Deadline for proposals: 15 September 2018
- Deadline for full manuscripts: 15 October 2018
Academic essays should be 3,000 to 4,500 words. We also seek scholarship in the form of interviews, reviews, short interventions, disputations and rebuffals, and in these cases we are open to shorter texts. Inscriptions adheres to the Chicago Manual of Style (footnotes and bibliography). For other instructions, please see our website. We encourage potential authors to submit proposals for review prior to their writing/submitting entire full-length manuscripts. Include title, proposal (150 words), short biography, and institutional affiliation in your preliminary submission. All academic submissions will undergo double-blind peer review.
We also accept proposal for art projects (images, videos, presentation, etc.) to be curated by our external Guest Editor (TBA).
Submit proposals and art projects through our online platform at https://inscriptions.tankebanen.no/ by 15 September 2018.
Very happy to announce that my latest book – rock philosophy: meditations on art and desire – is out on Vernon Press. It was written largely in Belgrade and Gdynia two years ago, and after some very favourable reviews it has now finally been made available to the general public. The theme of the book is art’s relation to philosophy and reason; it is an attempt to connect reason with desire and the arts to show how creativity can bring us closer to the truth.
The artistic quest for freedom stands in stark contrast to philosophy’s call to subordinate art to reason and tradition. The struggle between them has culminated in artistic attempts to subsume philosophical matters within the domain of art. One central question is what the consequences will be of a final dissolution of the boundary between the two domains: will all that remains of the artwork be an abstract howl of the rock – our rock, the planet – itself?
The book comes complete with a Manifesto to Rock Philosophy. That manifesto and the book’s Introduction can be downloaded for free from the publisher’s website. Philosophy books generally stand at some distance to the mainstream, and prices tend to reflect that fact. However, by ordering directly from the publisher you receive a 24% discount (that’s almost a quarter of the retail price) if you use the code CFC159723D56 on checkout. Find it on https://vernonpress.com/book/494. It is also available from Amazon.
If you like the book and would like to review it there is a page for it on Goodreads where any and all comments are received with thanks.
Our new world order is one in which “information threatens to overwhelm wisdom”: Henry Kissinger has certainly made his mark on our contemporary world, having advised Nixon and masterminded the end of the Cold War. Now Kissinger’s concern is Artificial Intelligence. In an article in The Atlantic Kissinger makes some remarks about a potential divergence between hyperactivity in the social media and art:
Inundated via social media with the opinions of multitudes, users are diverted from introspection; in truth many technophiles use the internet to avoid the solitude they dread. All of these pressures weaken the fortitude required to develop and sustain convictions that can be implemented only by traveling a lonely road, which is the essence of creativity.
In the end, as a man of Kissinger’s wit and intelligence would, he cannot accept a simple adoption of the term Artificial Intelligence. It could be a misnomer, he says, because while
these machines can solve complex, seemingly abstract problems that had previously yielded only to human cognition[,] what they do uniquely is not thinking as heretofore conceived and experienced. Rather, it is unprecedented memorization and computation. Because of its inherent superiority in these fields, AI is likely to win any game assigned to it. But for our purposes as humans, the games are not only about winning; they are about thinking. By treating a mathematical process as if it were a thought process, and either trying to mimic that process ourselves or merely accepting the results, we are in danger of losing the capacity that has been the essence of human cognition.
A statesman, a scientist, a thinker: Henry Kissinger.
In cooperation with our publisher Tankebanen forlag we are launching Inscriptions, a new peer-reviewed journal dedicated to art, philosophy and psycho-analysis. We welcome academic essays, literary fiction, interviews, reviews and other texts that are well-crafted and skilfully written and that engage our mandate and the theme of the present issue. For more information, visit our website.