Very happy to announce that my latest book – rock philosophy: meditations on art and desire – is out on Vernon Press. It was written largely in Belgrade and Gdynia two years ago, and after some very favourable reviews it has now finally been made available to the general public. The theme of the book is art’s relation to philosophy and reason; it is an attempt to connect reason with desire and the arts to show how creativity can bring us closer to the truth.
The artistic quest for freedom stands in stark contrast to philosophy’s call to subordinate art to reason and tradition. The struggle between them has culminated in artistic attempts to subsume philosophical matters within the domain of art. One central question is what the consequences will be of a final dissolution of the boundary between the two domains: will all that remains of the artwork be an abstract howl of the rock – our rock, the planet – itself?
The book comes complete with a Manifesto to Rock Philosophy. That manifesto and the book’s Introduction can be downloaded for free from the publisher’s website. Philosophy books generally stand at some distance to the mainstream, and prices tend to reflect that fact. However, by ordering directly from the publisher you receive a 24% discount (that’s almost a quarter of the retail price) if you use the code CFC159723D56 on checkout. Find it on https://vernonpress.com/book/494. It is also available from Amazon.
If you like the book and would like to review it there is a page for it on Goodreads where any and all comments are received with thanks.
Our new world order is one in which “information threatens to overwhelm wisdom”: Henry Kissinger has certainly made his mark on our contemporary world, having advised Nixon and masterminded the end of the Cold War. Now Kissinger’s concern is Artificial Intelligence. In an article in The Atlantic Kissinger makes some remarks about a potential divergence between hyperactivity in the social media and art:
Inundated via social media with the opinions of multitudes, users are diverted from introspection; in truth many technophiles use the internet to avoid the solitude they dread. All of these pressures weaken the fortitude required to develop and sustain convictions that can be implemented only by traveling a lonely road, which is the essence of creativity.
In the end, as a man of Kissinger’s wit and intelligence would, he cannot accept a simple adoption of the term Artificial Intelligence. It could be a misnomer, he says, because while
these machines can solve complex, seemingly abstract problems that had previously yielded only to human cognition[,] what they do uniquely is not thinking as heretofore conceived and experienced. Rather, it is unprecedented memorization and computation. Because of its inherent superiority in these fields, AI is likely to win any game assigned to it. But for our purposes as humans, the games are not only about winning; they are about thinking. By treating a mathematical process as if it were a thought process, and either trying to mimic that process ourselves or merely accepting the results, we are in danger of losing the capacity that has been the essence of human cognition.
A statesman, a scientist, a thinker: Henry Kissinger.
Appraisal, the journal of the British Personalist Forum, recently published my article on two films by Ingmar Bergman with questions of anxiety, alienation, and creativity. When the main character of Hour of the Wolf pursues his art at the expense of his romantic relationship is his calling a liberating or demonic force? More: British Personalist Forum’s website.