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Ereignis: the thought

We are expanding the Library of our Ereignis website. Recently we added some more detail to our approach to what the term Ereignis might mean. Does it ring true or interesting to you? We’d be very interested in hearing your views!

Ereignis is a way to understand technology and our everyday world, an approach to life, and a distinct philosophy. We begin by unpacking the multiple meanings of the word; we then go on to identify a vision, an obstacle, and a new reality. In the end we ask to what service Ereignis can be put to enable us to become who we are.

1. The meaning of Ereignis

Ereignis is a complex and intriguing word, even in the German. As a noun (an Ereignis) it basically means an unusual or special event, or, simply, something that has happened. However, when we investigate further we realise that there are vast arrays of potential meanings to this term. Synonyms suggested by the dictionary include occasion, interlude, opportunity, experience, happening, thing, and an event. At the etymological root of Ereignis we find that this is an event that is derived from the verb ereignen, designating something that plays itself out, as if by destiny.

One influential interpreter sought to distinguish the prefix er- from the stem eignen. It is when we consider eignen as a cognate of Augen that we get a sense in which ereignen is intimately connected to our vision, to what we see or have in our view. In German, the derived zueignen and aneignen means to acquire and appropriate respectively, and the verb eigen simply means to own. If an event only truly occurs when it is seen or observed, then what has happened can only be determined with by referring to what observers have called it to themselves, their interpretation, or appropriation, of the event.

To er-eignen, then, seems to mean to make something one’s own, in by appropriating it, acquiring it’s key meaning, or giving voice to its sense. This is important, because at the core of the eigen lies eigentlich, designating an event’s underlying cause, or its reality. In other words, what something really is, or what actually happens, can only come out through appropriation, of by distinguishing what it was that we experienced. This event, then, does not only refer to the happening itself, but crucially also to the act of making the event one’s own.

2. Philosophies of Ereignis: Heidegger, Schirmacher, Badiou

Ereignis is an experience and an approach to life. Our technological understanding of the world can bar us from this experience. Opening up for the multiplicity of reality we can rediscover the world as a sacred place.

2.1 Heidegger: nearness

There is no doubt that it was the game-changing philosophy of Martin Heidegger (1889-1976) that brought the term Ereignis onto the stage of modern thought. In an essay on the German poet Friedrich Hölderlin Heidegger described how it feels to descend from the mountainous Alps, the returning and homecoming, and in this essay he associates this descent with a mystical experience of Ereignis.

Heidegger gave the term Ereignis the task of connecting Being, or the divine, with our lives. To Heidegger Being reveals itself as a light which enables it to become visible to itself. Being, or the divinity, gives, sends, or destines beings, such as ourselves, in an ongoing unfolding of self-awareness. Heidegger thought of this double movement as Being alternately disclosing or refusing itself, or, in a word, as a “clearing-concealing.” Ereignis is a term to describe this sense in which Being is self-giving or self-refusing, or what Heidegger mystically referred to as the “Ereignis of presencing.”

To be present, then, or to experience a presencing, is in Heidegger’s terminology to be in the nearness of Being. When Heidegger held that this nearness nevertheless can never be fully present he began from the assertion that the German phrase Es gibt, there is, not merely points to an empty placeholder “Es,” it/there, but that it serves to highlight the giving of the Es, rendering the phrase as literally “It gives.” In so far as the “It” here refers to Being, the giving that is provided by it is its own presence. However, even Heidegger acknowledges that this “It” is inaccessible to ordinary thinking; therefore we should turn to the poets, and particularly the recollective verse of Hölderlin, to be brought into “It’s” nearness.

2.2 Schirmacher: metaphysical technique

Now, what is the reason that we find ourselves removed from Being, at a distance from our own existence, in our daily lives? Heidegger was quite clear on this, referring to the reduction of the world from a place of transport and enchantment to an experience where we are oblivious to the things themselves as Gestell. Rather than a world revealing itself as a holy place, and the things within it as radiant, sacred beings, Gestell reduces things to mere resources that can only serve as means to ends. Wolfgang Schirmacher, a philosopher of technology, continues Heidegger’s thought to name this blockage “metaphysical technique,” a complex expression of attempts to dominate life by technical mastery, a technological fix which we often think of as either technological optimist, or utopianism.

Governed by an “instrumental prejudice,” Schirmacher writes, the metaphysical technique is an “ingenious expression of a technology of survival” where all objects, everything we encounter, are regarded with suspicion, as “potentially hostile.” This is why the dominant metaphysical technique seeks to bring the entirety of our external world “under control under all circumstances and by all means.” It is this naïve belief in technological supremacy which leads to the present explanation of all our shortcomings as a “lack of technology:” when our world is gradually brought to an end and destroyed with the aid of modern technology the often misunderstood response is to claim that it is not modern technology, or, rather metaphysical technique, that has brought this upon us, but the wrong use of instruments or an insufficient determination of their purpose; in this view our current fix is due to an incorrect application of technology. When metaphysical technique encounters failure its answer is to stubbornly pursue the same path with even more determination, and to explore and exploit further its beaten path of domination by technical knowledge.

Against this Schirmacher holds that the destructive effects of metaphysical technique cannot be defeated on its own ground, i.e. by further pursuing an accumulation of data, or positive knowledge. Technology, or, more precisely metaphysical technology, serves to conceal the world to us, and more knowledge of this kind will not reveal the world anew. In the words of Schirmacher:

If the concealment of technology is not revealed by knowledge, but paradoxically rather strengthened, only ignorance can help. Ignorance does not only mean the absence of knowledge, but indicates the Socratic admission of ignorance, which is to say a knowledge that deprives knowledge of its self-evident right.

What Schirmacher prescribes is the ancient philosophical cure: truth telling, but not as a simple mechanism to verify positive knowledge, but, rather, the Socratic model as an approach to life. Truth of this kind cannot ultimately be found by testing hypotheses, but emerges from a technique in which “facts are shown as they are conceived by us.” Against metaphysical technique with its “emptiness artfully filled with an abstract language of evidence and justifications,” truth technique makes the world in its entirety appear in a glimpse, and yet as if eternally.

To overcome metaphysical technique it is required of us to pose an entirely different subject, or I, so that we again can enter into an essential and poetic relation to the world. Overcoming metaphysical technique does not mean that we leave modern technology behind, but that we abandon its use as “denizens of the night-time,” and instead treat machines and practice the sciences behind them as “dwellers of the radiant world of the Ereignis.”

Somewhere along this path we join in with others who have abandoned the cage of metaphysical technique, fellow travellers who seek to give up on exploitation and abuse so as to become guardians, custodians, and nurturers of beings, and, by implication of the Event itself. Our question is how we are going to conceive of Ereignis in this sense.

2.3 Badiou: the new reality

One way to approach this seminal Event is suggested by the philosophy of Alain Badiou. Here, the event is a way to understand how reality intrudes into our everyday experience. To Badiou reality is a void grounded in an inconsistent multiplicity, a structure which cannot ultimately be upheld in any social or personal totality. Therefore, countless elements of this reality are excluded from the totality we perceive as our everyday existence, and it is when any of these elements imposes itself upon us, engendering a complete shift in our structure of perception, that we truly can talk about an Event in Badiou’s sense.

To Badiou the event opens up our everyday appearance of normality, enabling a sudden opportunity to rethink our lives as a whole. Since the event can be compared to a ripping open in the fabric of established reality it offers exhilarating possibilities for participants that can nevertheless be experienced as demanding for those who are tasked with assimilating the event. In Badiou’s view a real event generates not only new ways of thinking about the world, but also new truths. What previously didn’t count, Badiou writes, comes to interrupt the continuity of determinism, thereby generating something completely new.

An utter reformulation of prevalent prejudices and assumptions cannot be programmed in advance. Rather, Badiou holds that a true event can only be grasped retrospectively, and that it cannot have a presence. The event, in effect, suspends the chronology of time, becoming ubiquitous: at the moment of the event it is everywhere and nowhere. In other words, we cannot really realise an event until after it has passed, when we try our best to assimilate it into an opportunity we couldn’t have lived without.

3. Becoming who we are

Ereignis is about approaching the clearing, letting things stand out as they are, and the festive experience, i.e. the sense in which we let the world reveal itself as a sacred place. When we overcome metaphysical technology, an approach to life that only allows the world and others to appear as instruments or means to an end, we can again be brought into the nearness of a Being that gives and reveals itself. By returning to telling the truth we can experience the void of an inconsistent multiplicity that constitutes reality, and out of this void we can begin to rethink our lives and generate an entirely new reality.

It is when we regain this new ground we can begin to realise and become who we truly are. Thus is the experience of Ereignis.


Perversion’s Beyond is out

Perversion of justice, sexual perversion, perversion of tradition… The pervert has become the figure that most essentially captures what it means to live in our age. Perversion’s Beyond advocates a stricter definition of the pervert than Freud’s well-known formulation: it suggests that we should adopt the pervert as a homeostatic device. Innovation today entails perversion. Perversion’s Beyond is out on Atropos Press. Get it here from

Said about Rock Philosophy (Vernon Press, 2018):

I find myself intrigued on multiple levels. When I read the words Rock Philosophy, the first thing that came to mind was the Stones, rock ‘n roll, and Queen. […] I was startled by Rock Philosophy and its reference to another, more actually stony form of rock. Sentient stones may seem an impossibility from a Western perspective that categorically separate Creator and Creation, Mind and Matter. However, consciousness appears and disappears as part of the ongoing, sometimes turbulent, sometimes placid, flows of which the world is made.

John McCreery, Visiting Professor, National Tsing Hua University, Taiwan

Rock Philosophy:

Said about dressage and illusio (SPS, 2016):

… enters directly into current philosophical and social scientific questions regarding sport – nation – body, and anchors the debate in strong, theoretical currents … rich in perspective and original analysis.

Sigmund Loland, Professor, Norwegian University College of Elite Sports

dressage and illusio:

Announcements Publications

New book with free download: rock philosophy

Very happy to announce that my latest book – rock philosophy: meditations on art and desire – is out on Vernon Press. It was written largely in Belgrade and Gdynia two years ago, and after some very favourable reviews it has now finally been made available to the general public. The theme of the book is art’s relation to philosophy and reason; it is an attempt to connect reason with desire and the arts to show how creativity can bring us closer to the truth.

The artistic quest for freedom stands in stark contrast to philosophy’s call to subordinate art to reason and tradition. The struggle between them has culminated in artistic attempts to subsume philosophical matters within the domain of art. One central question is what the consequences will be of a final dissolution of the boundary between the two domains: will all that remains of the artwork be an abstract howl of the rock – our rock, the planet – itself?

The book comes complete with a Manifesto to Rock Philosophy. That manifesto and the book’s Introduction can be downloaded for free from the publisher’s website. Philosophy books generally stand at some distance to the mainstream, and prices tend to reflect that fact. However, by ordering directly from the publisher you receive a 24% discount (that’s almost a quarter of the retail price) if you use the code CFC159723D56 on checkout. Find it on It is also available from Amazon.

If you like the book and would like to review it there is a page for it on Goodreads where any and all comments are received with thanks.

rock philosophy cover image
rock philosophy cover image


Presencing the writer: Jon Fosse and ecstatic communion

A Clockwork Orange -- movie poster
A Clockwork Orange — movie poster

Vernon Press recently published my essay discussing Norwegian playwright Jon Fosse‘s notion of the immanent writer in relation to film (A Clockwork Orange and Naked) in a collection edited by Simon Smith and Anna Castriota: Looking at the Sun: New Writings in Modern Personalism. Get a 10% discount on the volume by using code 10PCAGNODH on checkout from the publisher’s website.